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SECTION 11: DIATONIC 7TH CHORDS
7TH CHORDS FROM MAJOR SCALE
7th CHORDS FROM MINOR SCALE
SECTION 12: MAJOR & MINOR 7TH CHORDS
MAJOR 7TH CHORDS
MINOR 7TH CHORDS
PROGRESSIONS COMBINNG MAJOR & MINOR 7THS
SECTION 13: DOMINANT 7TH CHORDS
DOMINANT CHORDS CONCEPT
12 BAR BLUES PROGRESSION
PRIMARY DOMINANT PROGRESSIONS-MAJOR KEY
PRIMARY DOMINANT CHORD PROGRESSIONS-MINOR KEY
BACKDOOR DOMINANT
SECONDARY DOMINANTS
TRITONE SUBSTITUTION
CHAIN OF DOMINANTS
MODAL DOMINANTS
LINE CLICHES
SECTION 14: DIMINISHED & AUGMENTED 7TH CHORDS
HALF DIMINISHED CHORD SHAPES
HALF DIM APPLICATIONS
SECONDARY 2-5-1
DIMINISHED 7 SHAPES
DIMINISHED CHORDS APPLICATIONS
AUGMENTED CHORDS HIGHER EXTENSIONS
SECTION 15: HIGHER CHORD EXTENSIONS & ADD CHORDS
CONCEPT (3)
MAJOR ADD 6 CHORDS (1)
3. MAJOR ADD 9 CHORDS (1)
4. MAJOR 9TH & 13TH (1)
1. CONCEPTS (1)
2. MINOR 9 & 11 CHORDS (1)
3. MINOR ADD 6 CHORDS (1)
1. CONCEPT (4)
2. 9ths, 13ths (1)
3. ALTERED CHORDS (1)
4. SECONDARY DOMINANT ALTERED CHORDS (1)
SECTION 16: JAZZ-BLUES (REHARMONIZATION)
1. JAZZ BLUES in A MAJOR
2. JAZZ BLUES IN E MAJOR
3. JAZZ BLUES IN A MINOR
4. JAZZ BLUES IN E MINOR